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Study for Limon III
The earliest completed study for Limon, this work captures the dream-inspired color palette that would later expand into a monumental painting.
Despite its intimate scale, the work contains many of the visual qualities that define the larger composition: chartreuse fields, suspended pigments, cellular structures, and forms that hover between landscape and organism.
Acrylic Ink and Salt on Paper
13.5 × 18cm
From the MIGRAR series
The earliest completed study for Limon, this work captures the dream-inspired color palette that would later expand into a monumental painting.
Despite its intimate scale, the work contains many of the visual qualities that define the larger composition: chartreuse fields, suspended pigments, cellular structures, and forms that hover between landscape and organism.
Acrylic Ink and Salt on Paper
13.5 × 18cm
From the MIGRAR series